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Richard Hawley - Truelove's Gutter (Limited 2xLP Coloured)
Truelove's Gutter, the sixth studio album from Hawley, was first released on 21 September 2009.
Another album title referring to an ancient street in Hawley's native Sheffield, now thought to be the location of present-day Castle Street, which was allegedly named after 18th-century innkeeper Thomas Truelove, who used charge local people to dump their rubbish in the gutter in the street that then flowed down to the River Don.
Thematically, Hawley’s darkest album to date. The album features some uncommon instrumentation, such as the waterphone, megabass, and cristal baschet.
Another album title referring to an ancient street in Hawley's native Sheffield, now thought to be the location of present-day Castle Street, which was allegedly named after 18th-century innkeeper Thomas Truelove, who used charge local people to dump their rubbish in the gutter in the street that then flowed down to the River Don.
Thematically, Hawley’s darkest album to date. The album features some uncommon instrumentation, such as the waterphone, megabass, and cristal baschet.
$71.35
Richard Hawley - Truelove's Gutter (Limited 2xLP Coloured)—
$71.35
Description
Truelove's Gutter, the sixth studio album from Hawley, was first released on 21 September 2009.
Another album title referring to an ancient street in Hawley's native Sheffield, now thought to be the location of present-day Castle Street, which was allegedly named after 18th-century innkeeper Thomas Truelove, who used charge local people to dump their rubbish in the gutter in the street that then flowed down to the River Don.
Thematically, Hawley’s darkest album to date. The album features some uncommon instrumentation, such as the waterphone, megabass, and cristal baschet.
Another album title referring to an ancient street in Hawley's native Sheffield, now thought to be the location of present-day Castle Street, which was allegedly named after 18th-century innkeeper Thomas Truelove, who used charge local people to dump their rubbish in the gutter in the street that then flowed down to the River Don.
Thematically, Hawley’s darkest album to date. The album features some uncommon instrumentation, such as the waterphone, megabass, and cristal baschet.
